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Be the first to write down a comment. You are not connected, choose one of two options to submit your comment: Login:. Editeur : Paul Beuscher. Follow this composer Be informed by email for any addition or update of the sheet music and MP3 of this artist. Follow this arranger Be informed by email for any addition or update of the sheet music and MP3 of this artist.

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Pictures at an exhibition. Popular, traditional. Religious celebrations Marriages Sacred music. Style : 1. Style : 2. Style : 3. Style : 4. Style : 5. Style : 6. Swan Lake. The Nutcracker. Vivaldi : The four seasons. Popular among concert pianists, they play an important role in the development of any aspiring pianist. Considering the nature of these pieces and following the great Russian tradition and philosophy of comprehensive art education for musicians, it seems necessary to study the work of some Russian painters, especially those active in the genre of landscape painting.

According to the oral tradition that exists among pianists there are three Etudes-Tableaux op. Respighi was working on the orchestration of a few of the Etudes-Tableaux and asked Rachmaninoff to disclose the programmatic connections that the composer might have had in mind. Rachmaninoff wrote that Etude-Tableau no. It makes an immediate impact on the listener and defines the emotional direction and conceptual overtones of the entire opus. Arkady Rylov Thundering River. The painting depicts the dark, overflowing waters of a river, nature is stern and hostile, but the snow is receding and we can foresee that the once threatening waters will subside and the spring will come.

All these elements could be interpreted in a symbolic way.

Op.39 No.6, in A minor

This is felt through the sinister movement of the bass line, austere harmonies and powerful ups and downs of dynamics. Example 4. Sergei Rachmaninoff Etude-Tableaux Op. The inclusion of the chromatic D-flat that does not belong to C minor and the closing romantic intonation creates tension. For practice purpose it would be worthwhile to modify the right-hand part into chords built upon the main notes of this figuration.

Another good exercise is to start the triplet figuration from different notes. The sixteenth-note rests in measures 3 and 4 add to the restless atmosphere of the etude. Climactic tremolos in measures and further in measures increase tension and anxiety. One can delay the resolution of the third F-A in the right hand and thus 10 create an impression of a painful sigh. This intonation is amplified by a similar ascending intonation of the left hand. Example 5.

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Technically, the notes marked staccato in the right- and lefthand parts should stand out against the expressive melody given to the thumbs. Example 6. The accents here should be biting and short. Example 7.

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  8. In measure 52 it is desirable to perform the second alternative version given by the composer as it seems to emphasize the increased dynamism of the piece. Example 8. The basis and justification for this is the complexity of the content and associative connections of this piece. Isaak Levitan Autumn in Sokolniki. Isaak Levitan Spring; High Waters. Isaak Levitan Over Eternal Peace. Endless sorrow is felt in the beginning of the piece.

    Etude Tableau in A Minor, Op. 39, No. 6

    The opening element, on which the entire etude-tableau is based, could be interpreted as either the Dies Irae motif or ancient Russian rite chants. It seems that the composer depicts thoughts and emotions of someone who is trying to find a response to his feelings in nature.

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    For example, a similar atmosphere is found in his romance Night is sorrowful. The pianist needs much skill to project its multilayered texture and keep the performance from being monotonous. In the beginning the right hand should stay very close to the keyboard as if gliding over the keys, with the fingertips doing all the work in dynamics and articulation.

    In climactic sections the approach should be different, with more involvement of the arm and body. Certain folk-song-like elements are clearly heard in measures It is imperative to point out the importance of descending intervals in both key motifs. Example Sergei Rachmaninoff Etude-Tableau Op.

    Other technical difficulties of this piece are in the large span of the arpeggiated chords in the left-hand part, hand-crossings and the two-over-three meter. Etude-Tableau Op.

    Rachmaninoff plays Etude Tableau in A Minor Op. 39 No. 6

    The programmatic elements of this work are not very clear and have not been revealed by the composer. Arkady Rylov In the Blue Expanse. Here the artist depicted a flock of migrating birds, distant contours of the shoreline, sun-filled air and the infinite vastness of the sea. Persistently accented F-sharp in the upper voice is the center of the thematic foundation of the piece.

    Each repetition is enriched by more and more neighboring sounds. The theme with its relentless return to the same note embodies the will and power of the human spirit. This requires superb agility and flexibility of the right hand. The performer has to be able to constantly adjust his hand position, which requires playing with supple wrist while maintaining very strong fingers. The phrasing of this piece is very unusual. The difficulty lies in the constantly changing phrases that are different in their length, rhythm and meaning. The writing in large, sweeping strokes implies the use of pedal as a coloring tool.

    The performer should apply pedal based on the harmonic movement of the left hand. For example, in measure 52 one should catch the lower C-sharp with the pedal and hold it for almost five measures until the two rests before the recapitulation. This short epilogue summarizes the dynamic unfoldings of the piece, perhaps suggesting that after the turbulences of life there is often a moment of sadness, a moment of recollection.

    Rachmaninoff: Étude-Tableau in A Minor, Op. 39, No. 6 - Ficks Music

    Abundance of syncopation, frequent change of registers and timbres implies a scherzo or humoresque. In this piece the rhythm serves an important role of a unifying building block. This is an unusual indication for Rachmaninoff and should be strictly adhered to by the performer.