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Save This Event Log in or sign up for Eventbrite to save events you're interested in. Sign Up. Already have an account? Log in. Event Saved. They say that the first love, Alas Llorona!

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What do I care if they say to me, Llorona, that you no longer are a virgin maid? Don't think that because I sing, Alas Llorona! One also sings from pain, Alas Llorona! Heaven can wait, Alas, Llorona! I love you because I like it, Llorona, and because I feel like it. I love you because it emerges, Llorona, from the inside of my soul. If because I love you, you want, Llorona, you want me to love you more.

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If I have already given my life to you, Llorona, What more do you want? You don't know that I love you, Llorona, because you don't know I weep for you. If because I love you, you want, Llorona, That you want me to die. Let your will be done, Llorona, let me die so someone else lives.

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One popular interpretation of the song is of the singer feeling trapped by this woman La Llorona who has fallen in love with him. If he even thinks about leaving her, she weeps. He tries everything in his power to leave her, but he is trapped by pity for the woman.

He wishes to be taken down to the river to be drowned, and so then his suffering can finally end. The suffering that the man goes through from being trapped in a relationship with a woman in a way parallels the suffering that the woman in the legend goes through from having her lover leave her. The Llorona is traditionally a Banshee like folk ghost that haunts her lover after having drowned her children and is now crying for her children and foretells dead to those who see it but is not really related to this song.

There are many variation to the verses of the song that have been adapted for different audiences throughout the years. The Spanish singer Raphael recorded La Llorona in the mid s. Mexican singer Natalia Lafourcade covered the song on her album Musas Volumen 2 released in Emilie-Claire Barlow covered the song on her 11th album Clear Day. Recorded with the Metropole Orkest Conducted by Jules Buckley this version features lyrics translated to the French as well as an original verse. The late Vargas is known throughout the Americas for her songs of struggle, defiance, and triumph.

Carlos Gutierrez of Cinema Tropical explains "she took ranchero music and made the music her own.

ISBN 13: 9788490650394

She stripped the music from the trumpet and other arrangements. Downs' version of "La Llorona" was released as part of her debut album, La Sandunga. The song is one of 12 tracks in Downs' album, which was officially released on June 29, , under the label Narada. The album was popular in many countries, selling over , units worldwide.

Downs even ventured out to making several versions of her rendition of the song, including a mariachi [11] and a piano version. The song is regularly sung in her hometown of Oaxaca, at baptisms, weddings and various rites of passage. In Downs' particular interpretation of the song, she aims to compare the Spanish invasion of Mexico and the aftermath resulting in the demise of indigenous culture, with La Llorona's loss. Downs is mourning a time before the Europeans came, through song.

She dedicated this album to the spirits of Mexican migrants who have died crossing the line. Chavela Vargas was invited for a special appearance, singing her version of "La Llorona". It is well known that Vargas was a close friend and a frequent house guest of Frida Kahlo and her husband Diego Rivera. Vargas was so close to Kahlo, that a short-lasting affair is speculated to have occurred between the two before Kahlo married Rivera.

In the film, Vargas plays the role of a ghost who consoles Kahlo. Kahlo had been drinking in a bar for some time when she notices a ghost sitting down at a nearby table. A black shawl, which references the song lyrics, is wrapped around the ghost and Kahlo initially is quite hesitant to approach her.


As Kahlo is about to sit next to the ghost, the ghost reveals her face to Kahlo. Kahlo begins to remember the car accident that changed her life and also her turbulent past with her husband. In the film, Imelda sings the song during the sunrise concert as she attempts to evade Ernesto who sings the song in duet with her. From Wikipedia, the free encyclopedia.

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