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It will froth immediately. Stirring to mix the solutions together will generate even more of a reaction. Allow the solution to sit overnight to let the pigment precipitate settle. Using a siphon, draw off the slightly coloured water above the precipitate until there is only about 5 mm left above the pigment surface.

Now add 2 litres of cold water, stir and allow the pigment to settle overnight again. Draw off the liquid as before. Repeat washing until the water is colourless after the pigment has settled. Filter the pigment and leave it to dry in a warm, draught-free space. Finally, grind it in a mortar and pestle to a fine powder. Did you know that the Egyptians created the first synthetic colour and used it to create the famous blue crown of Queen Nefertiti? Or that the noblest purple comes from a predatory sea snail? In the Roman Empire, hundreds of thousands of snails had to be sacrificed to produce a single ounce of dye.

Throughout history, pigments have been made from deadly metals, poisonous minerals, urine, cow dung and even crushed insects. Spanning the ancient world to modern leaps in technology, this is the book for the artist, the history buff, the science lover and the design fanatic. These include Fred, animated in into the Oscar-nominated short film Famous Fred, and Gemma Bovery and Tamara Drewe, both adapted into films, increasing her international fame. A portrait emerges of Posy Simmonds as a chronicler and critic of contemporary society and a storyteller in words and pictures of rare perception and humanity.

Paul Gravett is a widely published writer specialising in international comics. A few years later, Simmonds wanted to return to making comics for the Guardian, but felt the need to stretch herself to a longer story with an ending. The paper offered her a serial in episodes, each one to finish on a cliffhanger to hook readers, and published Monday to Saturday.

She looked desperate, surrounded by Prada shopping bags, and she reminded me of Madame Bovary. I am on the edge of it, so I know about the terrible vanities. I was free to choose which character was going to appear each week and whether it would be a comic strip or a single drawing. I had to deliver my drawing by Wednesday, but I never worked in advance, I preferred the tyranny of the final deadline for an idea to turn up. This is reflected in her more relaxed line-work in black ink, often overlaid with grey washes.

Among her cast, cantankerous J.

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Crouch grumbled on, joined by gruff, bushy-eyebrowed Welsh writer Owen Lloyd 44A. Do you ever do any serious writing? Her cover for the French edition, also used on merchandise, proved how passionate the French are for reading, even topless on the beach. Such an ambitious departure would need more time to plan and produce.

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These powers of observation and drawing from memory had been honed by the drawing course Simmonds took at Heatherleys, in which she had to look closely at a model and then rush upstairs to the studio and draw what she could remember with no further reference. Such training. Hurrah for their work! His illustrations for those books offer a magical vision of Paris that has created a lasting impression on millions of readers. However, the fact that the illustrator published over forty other titles remains a well-kept secret.

Ludwig Bemelmans offers a visually rich, behind-the-scenes insight into the life and work of this important artist and writer. Bemelmans recognized that his enduring legacy would be the Madeline series but in all his work readers, whether young or old, could sense his total engagement with life. Then you can breathe life onto canvas and paper.

The story of manga, a vibrant form of Japanese narrative art, from its historic roots to its place as a contemporary global phenomenon. Manga is a form of Japanese narrative art that has grown over the centuries to become a global phenomenon in the post-World War II era. Initially referring to graphic novels and comics, manga has expanded beyond its original forms to include animation, fashion and new media. Arranged into six thematic chapters, each opening with an essay, followed by interviews and art selections, this revealing study traces the origins of manga and explores its role in society, and its appearance in different media, from videogames to street art, as well as its growing international reach.

The voices of manga artists and editors are reflected throughout the book, along with critical analysis by leading scholars. Taking the style of the genre and its terms of reference as its cue, Manga draws upon printed manga works, artwork, manga magazines, original drawings, theatre, film, digital technologies and interviews with artists and publishers to bring the subject vividly to life. This book gives readers an understanding of the excitement generated by a form that crosses cultures and media in a globalized world.

The inexpensiveness of production encourages artists to experiment with their design; the only artistic restriction: that it fits through a letterbox. Unlike traditional works of art, the postcard requires nothing more than a stamp for it to be seen on the other side of the world. Made of commonplace material, postcards invite handling, asking to be picked up, turned over, and shown to friends — to be included in our lives.

He is the recipient of the Fitzcarraldo Editions Novel Prize. Postcards have long been put to polemical use. In his novel Alone in Berlin, published in German in , Hans Fallada invented a character who secretly deposited in public places around wartime Berlin postcards with critical comments on fascism. In America the Fluxist Alison Knowles and composer Pauline Oliveros designed and published in the mids a series of five postcards, whose titles speak for themselves: Beethoven was a lesbian fig.

Oliveros is executive director of the organization that she formally founded in as the Deep Listening Institute, her musical practice based on principles of improvisation, electronics, ritual and meditation. In , the postcards were included in her solo show at Fotohof, Salzburg.

The best political and polemical postcards spring from convictions deeply held by their creators. In the late s and early s a series of outstanding posters and postcards by Peter Kennard used in imaginative form the technique of photomontage, until then largely neglected in Britain. The cards were commissioned by the Campaign for Nuclear. Disarmament, of which he was a committed supporter, the majority published for CND by the socialist cooperative Leeds Postcards fig. Prime Minister Margaret Thatcher inspired hundreds of polemical postcards.

Several examples spring to mind: Crime Wave fig. Mark Pawson is one of a number of other artists working to produce and distribute subversive postcards, including his Reduce Reuse Repair Recycle series, hand-printed in different colourways on his kitchen table. In New York Alfred Gescheidt began working with photomontage in the s, creating many examples for publication by the American Postcard Company.

Like Kennard, Gescheidt mostly used photomontage and favoured particular political themes, in his case the practice of Safe Sex, of special concern at the time in s AIDS-ravaged New York. I believe the art world is not a world apart. In spite of what many claim, there are no boundaries.

Criticism of the money structures in the art world was expressed by dissident artists in public work of various kinds, such as performance protest and in publication of alternative magazines and pamphlets, as well as in the distribution of posters and postcards. That picture depicts a double flag with a grey-painted flag at the bottom and an orange, black and green flag at the top. Pull-out postcard published by William N. Copley was taken from an old postcard of Whitley Bay, near Newcastle upon Tyne. A flap in the middle folds up to release a concertina of eight smaller cards, showing increasingly blown-up black-and-white images of this section of the beach, similarly used by Hamilton in his screen print People In the same year, he also made a sculptural version of To Mother, over 2.

That work was exhibited in the Hamilton retrospective at Tate Modern, London, in Caption info xerepe magn atem. Puda ius pratint, conse quam rest quam erec tem. Nam volupit, quodi squatet fuga. Nam eumquid ut a possitae er ro blaccum que nos eius ipsus dolorro dita velis tu rae volup tatur. Tombstone line Tombstone line Tombstone line Tombstone line. Edvard Munch bequeathed in his will almost the complete collection of his own art to the City of Oslo. Each print is the result of a complex interaction between a printing surface matrix , ink and paper — all brought together under pressure, usually in a printing press.

At the same time, the mother of them all, the printing matrix, receives little attention. In other words, Munch managed to. Sin Lithograph printed from two stones in yellow, red and green x mm Munchmuseet, Oslo MM. Lasson — , the only woman represented in the composition. Oda also had an affair with the dramatist Gunnar Heiberg see p. Munch himself became miserable when Milly Thaulow cast him off and engaged in other affairs; she eventually divorced her husband and married an actor. His intimate relationships in later life were short-lived: women were certainly attracted to him and he enjoyed their company, but he always maintained that he was married to his art and the prospect of any long-term commitment made him deeply anxious.

His most tortured relationship was with Tulla Larsen — , the daughter of a wealthy Norwegian wine merchant who he met in about cat. Edvard Munch — is best known today as a painter, but his reputation was in fact established through his prints, which were central to his creative process. His printmaking was experimental and innovative, and he continually revisited the subjects of his paintings in striking prints, in which he evoked a wide range of emotion and mood through the use of varied techniques.

His first works centred on the expression of deep emotional experiences, specifically the deaths of his mother and teenage sister, as well as passionate yet unhappy love affairs of which his deeply religious father disapproved. Encouraged by his encounters with a Bohemian society of artists, writers and poets, he developed a visual landscape that was a radical deviation from the slick society portraits and grand Scandinavian landscapes then so much in vogue.

His efforts attracted considerable attention and much criticism, and he practised with little financial success as a painter for ten years before he started to gain his reputation as a profoundly innovative printmaker. A practical guide to calligraphy and hand-lettering traditions from around the world, both ancient and modern, this book is guaranteed to enhance your writing life.

Fifteen beautiful step-by-step projects each take their cue from a different technique or tradition. Detailed instructions lead you through the essentials of classic calligraphy styles such as Gothic and Italic lettering, on to vintage-inspired signwriting and chalkboard design, and even into the elegant, image-led worlds of illuminated capitals and zoomorphic calligraphy. Each project offers tips on how to take steps towards developing your own designs, and how to find new creative direction through the timeless arts of calligraphy and hand-lettering.

A fascinating historical overview of the evolution of brooches and badges from the Middle Ages to today Rachel Church is a curator in the Sculpture, Metalwork, Ceramics and Glass department at the Victoria and Albert Museum. Brooches and Badges Accessories series Rachel Church continue.

Fashion moved towards softer, rounded designs with a greater use of fantasy and whimsy. The properties of gold were exploited to create interesting textural effects, and brooches continued to be used to reflect current events, add a splash of colour and brilliance to costume, or create an amusing conversational point. We might remark that there is also a definite inclination towards irregularity of design.

Gorgeously coloured birds, butterflies, fish and even flies were made into. Floral motifs became increasingly fashionable, following the spirit of femininity shown in dress. A brooch designed by Jean Schlumberger for Tiffany used polished sapphires and gold to create a bouquet of flowers tied with a diamond bow-knot , and another used sapphire and emerald beads to make a pair of pine cones Godman and Rabey Archive, London, c.

Given by Alan Rabey. France, — From medieval pilgrim badges and Renaissance hat decorations to jewelled brooches and twentieth-century political pins, brooches and badges are often more than practical or decorative dress fasteners; they are expressions of identity. An inspiring, impeccably researched and concise history of these symbolic and evocative ornaments through the ages, Brooches and Badges is a musthave resource for students, designers and lovers of jewellery.

Exquisitely detailed. The openwork front is encrusted with table-cut rubies and diamonds, with a central star representing Stella Britannis the monarch. The vividly enamelled scrollwork of the back includes stylized flowers and two pairs of dolphins height of ruby-set lid 6. Above: The Barbor Jewel.

The sardonyx cameo of the queen is framed with rubies and diamonds in an enamelled gold frame, surmounted by a crown made of three rectangular diamonds and hung with a cluster of pearls. The back is decorated with an oak tree. Right: The Drake Jewel, set with a sardonyx cameo of the profiles of a black man and a white lady. The back of the jewel opens to reveal a Hilliard miniature of the queen from The gold setting has an intricate strapwork design, set with rubies and diamonds and richly enamelled in many colours. The jewel was given by Queen Elizabeth to Sir Francis Drake, perhaps after the defeat of the Spanish Armada, and he wears it in a portrait of height The s The more valuable the stone, the more unimaginative the setting: this is the unwritten rule for both buyer and manufacturer, based on a solid convention of what will sell.

However the convention is now being challenged in this country by a few enterprising jewellers who are sensitive about the designs they produce; by a handful of retailers who dare to stock their goods; by the patrons who help to keep them in business, and by the designers whose work…has helped to create the demand for beautiful jewellery. Left: Brooch of silver, oxidized in parts, designed and made by John Donald, England, —61 height 4. He set up his London workshop in He is best known for his innovative work in gold, with which he has achieved a great variety of textures and forms — in some cases by dropping molten gold into water, or, alternatively, by mirroring striations and structures in nature.

Braque, who mixed sand into his paint to create a granular effect, disliked shiny gold, so de Loewenfeld developed a gritty matt finish for the metal by fusing gold on gold. This type of textured surface was to become a highly fashionable and distinctive feature of jewellery made in the s. On leaving in she took the decision — then highly unusual — to work as an independent designer and maker. In she established the pioneering course in experimental jewellery at Hornsey School of Art, where many of the next generation of British artist-jewellers were taught.

Jewels and Jewellery surveys splendid early medieval and Renaissance pieces and superb examples of Arts and Crafts, Art Nouveau and 21st-century jewellery. Clare Phillips considers the history of Western jewellery in three parts, first exploring the materials used by jewellers, then turning to the development of styles in jewellery from the Middle Ages to today, before examining the ways in which jewellery has been hallmarked, distributed and worn over recent centuries.

Showcasing pieces by Cartier, Tiffany and Liberty, this beautiful volume is the ultimate guide to the history of Western jewellery. It also includes close-up shots of the reverse of the fabrics, allowing readers to see precisely how the textile was made.

Les miseres de Londres 4. Les tribulations de Shoking [French]

It will inspire and inform and anyone interested in textile design and the decorative arts. An invaluable sourcebook of Indian textile patterns covering the entire region, organized by pattern type and explored by technique. Sari Kanchipuram, Tamil Nadu, c. Sari detail Kodalikaruppur, Tamil Nadu, c. Textiles have a long and distinguished history on the Indian subcontinent, from the dazzling woven silks worn by royalty to the simple block-printed patterns worn everywhere. The introduction gives an overview of Indian textiles, including methods by which they were made and their intended uses.

The book is divided into three chapters defined by pattern style: Floral, Figurative, and Abstract and Geometric. A wealth of cross-referencing by theme and process makes this a uniquely useful resource. Over breathtaking and hugely varied designs are examined here in detail through close-up shots of the pattern and material alongside images of the reverse of many fabrics, demonstrating different weaving techniques so that the reader can see precisely how the textile was made.

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Overflowing with colour and patterns, The Indian Textile Sourcebook will inspire and inform anyone interested in textile design and the decorative arts. Suzy Menkes is the international editor of Vogue. Introducing Le Smoking, the first tuxedo suit for women, in , Saint Laurent also presented iconic art-inspired creations, from Mondrian dresses to precious Van Gogh embroidery and the famous Ballets Russes collection.

This definitive publication opens with a concise history of the house, followed by a brief biographical profile of Yves Saint Laurent, before exploring the collections themselves, organized chronologically. Each collection is introduced by a short text unveiling its influences and highlights, and illustrated with a gallery of carefully curated catwalk images.

These showcase hundreds of spectacular clothes, details, accessories, beauty looks and set designs — and, of course, the top fashion models who wore them on the runway. A rich reference section concludes the book. Mark Bego has written sixty-two books, two of which have been New York Times best-sellers. Pe laborei ctecaborio.

Nam nobis et eos dolorit hilitatis volut volorporum faccus, corporem inciae. Nequo beat. Ficae ne re, testionet peritasperum qui quatque ea. Nam nobis et eos dolorit hilitatis v olut volorporum faccus, corporem inciae. The Supremes have always been synonymous with glamorous, elegant co-ordinated costumes. Detailed captions accompany each photograph, providing all the key information about the design, the fabric, the embellishments, and the occasion on which each was first worn. Contemporary photos of The Supremes wearing the outfits bring the costumes to life.

This sumptuous volume builds a complete picture of the charm and sophistication of The Supremes. Now, and with fresh new insights and an incredible visual narrative, the official, visual history of this momentous contribution to music and American culture is told in full. Motown: The Sound of Young America is dense with information and materials gathered from the personal accounts and archives of many of the key players. It is a spectacular labour of love befitting an incredible story.

In-depth profiles of standout tailors, clothiers and shoemakers offer insights into the craftsmanship behind the trademark style of each city, from a traditional kimono maker in Japan to a bespoke umbrella-maker in Paris. Fifteen must-see shops in other cities around the world are also profiled more briefly.

Other features include travel advice from leading style aficionados, including Mark Cho of The Armoury and Mats Klingberg of Trunk Clothiers, providing travel tips from those in the know. With locator maps to assist the planning of your trip and practical advice on how and what to pack, both leisure and business travellers will be prepared for any occasion. Whether on a luxurious city break or looking to fill a few spare hours on a meeting-packed trip, this is the ideal vade mecum for any sartorial adventure. It is worth highlighting two of the excellent Japanese workshops that make only bespoke trousers: Toru Igarashi and Hayato Osaku.

Igarashi is located in the centre of Tokyo and is therefore the easier of the two to visit. Their work displays a high level of precison in details such as curved waistbands and neat pick stitching. They are largely young, working in small workshops, and offer good value for money — though waiting times for Western-sized shoes can be long. Most importantly, the quality is amazing, often beating that of the European masters from whom they learned. There are so many good Japanese shoemakers to try, but Yohei Fukuda and Shoji Kawaguchi opposite , the latter operating under the brand Marquess, are certainly worth visiting.

Everything in the shop is entirely hand sewn; in fact, Komatsu even goes so far as to make the brass hardware, which are small works of beauty in themselves. Although none of the work is done on-site the fabric is produced by weavers all around Japan, and the tailoring done outside the city , the shop, with its bolts of beautiful cloth and many spectacular finished kimonos, is a virtual museum of the craft.

Keita Motoji, son of founder Komei Motoji, is doing much to increase awareness of both Japanese kimono traditions and those of the silk-producers, dyers and weavers. They are largely influenced by the soft tailoring of the south of Italy, although some also trained in Florence or Milan. English influence is felt only in the older, more traditional tailors.

He moved into new, larger premises last year, where you can also see the shoes of Hidetaka Fukaya, a Japanese shoemaker who operates out of an Italian workshop, in Florence. The shop in the Daikanyama area of Tokyo is stocked floorto-ceiling with indigo-dyed jackets, T-shirts, sweatshirts and kimonos, both from brands like Blue Blue Japan and cheaper variations not made domestically. Look out for pieces in sashiko cloth in particular. In an adjoining shop, he suspends thousands of silkworm cocoons in racks from the ceiling.

Around 3, cocoons from male silkworms, which make longer fibres are required to make 1 metre of cloth. Keita invites groups of. The process of being fitted for a kimono is also interesting. It is different from a fitting for a Western bespoke suit in that the focus is on the drape: how the cloth is held and tied in order to help it hang in very precise ways.

From the unusual to the spectacular, the ultimate visual guide to the finest hotels and travel experiences Italy has to offer Herbert Ypma is a bestselling author and photographer whose ground-breaking HIP Hotels series inspired an entirely new genre of travel publishing. Herbert Ypma In this age of low-cost flights and easy travel, how do you avoid the crowds and find the hidden gems? Expert globe trotter and travel photographer Herbert Ypma guides you through an alternative map of Italy to reveal those hard-to-find places that still hold something special.

The experiences and tips that he maps out across the length and breadth of Italy fall into four key categories. More than photographs capture the striking spaces architecture in the Modernist tradition. From the flowing, multi-level space of variety of experiences within a single building.

This book thriving cultural hub in the heart of London and one reveals full range, while the fascinating introduction by Sir Nicholas of the mosttheir important modern buildings in Britain. Kenyon provides personal insights into this thriving cultural hub.

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His immaculate images to the experience of place. B Harry Cory Wright. Tower Bridge is one of the most famous bridges in the world and a defining symbol of London. Opened in the summer of , it not only provided an essential and long-overdue crossing point east of London Bridge, but also allowed ships into the Upper Pool of London. Still in use today, this Victorian Gothic masterpiece is lifted between and times each year, and is visited by almost 1 million people from around the world.

This Cory Wright Thames, allows us to experience the awe-inspiring structure of Tower Bridge in exquisite detail, from compelling album of photographs by Harry Cory Wright allows us to experience the intricate machinery in the engine rooms and the spaces of the bascule chambers itscathedral-like awe-inspiring structure in located exquisite detail, from the intricate machinery in under the Thames, to the views up and down river the engine rooms the angreat cathedral-like spaces of the bascule chambers.

Designed by Sir Horace Jones and Sir John Wolfe Barry, Tower Bridge is an astonishing feat of engineering, containing a special counterweight mechanism that allows the roadway to lift so that ships can pass beneath. Today, the bridge is raised on average twice a day, and it is still an impressive spectacle. This book charts the story of the bridge from the earliest plans for a river crossing on this site, through the complex evolution of its development, to its construction and operation, offering the reader insights into its architecture and engineering history, while also shedding light on the people who worked on it.

It contains specially commissioned photographs and a wealth of archival images, including a sequence showing the bridge at every stage of construction. Also included are the original working drawings for the bridge, some of which have never been published. This book will fascinate and inform anyone interested in engineering, architecture and the history of London.

Kenneth Powell is an architectural historian and critic. He has written extensively on 20th- and 21st-century architecture, and on the architecture of London. He is an honorary fellow of the Royal Institute of British Architects. A century and a quarter after its completion, Tower Bridge continues to operate as efficiently as it did when new. The central span is now lifted by the touch of buttons, rather than by pulling levers similar to those in railway signal boxes.

Electricity, rather than steam, powers the hydraulic system. Yet the principal working parts of the bridge remain unchanged. To see the bridge raised and lowered — usually now to allow the passage of a pleasure boat — is one of the defining sights of London. Designed by Sir Horace Jones and Sir John Wolfe Tower Bridge is an astonishing feat of engineering, containing a special counterweight mechanism that the roadway to lift so that ships can pass beneath. Today, the bridge is raised average twice a day, and it is still an impressive spec.

This book charts the story of the bridge from the e plans for a river crossing on this site, through the co evolution of its development, to its construction an operation, offering the reader insights into its archi and engineering history, while also shedding light o people who worked on it. It contains specially comm photographs and a wealth of archival images, inclu a sequence showing the bridge at every stage of con Also included are the original working drawings fo bridge, some of which have never been published.

T will fascinate and inform anyone interested in engin architecture and the history of London. Drawing by G. Eamonn Doyle is a photographer and music producer based in Dublin, Ireland. His work has earned him a truly international reputation, with his self-published projects — all now out of print — highly sought-after by photobook collectors around the world.

Kevin Barry is the prizewinning Irish author of two collections of short stories and two novels. Text vignettes by prize-winning author Kevin Barry enrich the visual trip. Published in association with Turner Contemporary, Margate, where a related exhibition opens on 24 May and then travels to Southampton, Blackpool and Cornwall in Since the beginnings of the medium, photographers have been fascinated by the shoreline and seaside cultures.

Crowd Actions in Britain and France from the Middle Ages to the Modern World

From the roaring waves of the 19th century through the heyday of the classic seaside resort in the s and 60s, and the critical reportage of the s and s, to the more intimate work of the last ten years, many photographers have worked at the British seaside, including Henri CartierBresson, Lee Miller, Martin Parr and Anna Fox. The end-of-the-pier show, beauty competitions, light entertainment, the seaside boarding house, the holiday camp, combined to give British seaside resorts the brash and colourful image that is now enshrined in British national mythology.

Seaside: Photographed shows not only some of the most spectacular and incisive photographic work from the s to the present, but provides a place of shared connection, of collective memory and a space where memories and perceptions are challenged. Ishmael Reed is the author of numerous bestselling novels, including the critically acclaimed Mumbo Jumbo and Conjugating Hindi. Two of his novels have been nominated for National Book Awards, and his poetry has been nominated for the Pulitzer Prize.

All across the Americas, from the 16th century onwards, enslaved Africans escaped their captors and struck out on their own. These runaways, having found their freedom, established their own communities or joined with indigenous peoples to forge new identities. Cimarron, borrowing a Spanish-American term for these fugitive former slaves, is a new series of photographic portraits of their descendants. From Brazil, Colombia, the Caribbean islands and Central America, as far as the southern USA, elaborate masquerades are staged that celebrate and keep alive the memory of African slaves and their descendants.

Stock characters are portrayed in costume, or in grotesque or satirical representations. A huge variety of African tribal dress, wild ritual regalia and shimmering Mardi Gras outfits feature in breathtaking succession. Vividly coloured silks and cottons combine with woven fibres, leaves, feathers, and bodypaint; props include emblems of slavery and slavemasters — ropes, sticks, guns and machetes.

These photographs record real people whose collective sense of memory, folk history and imagination dramatically challenges our expectations. The definitive survey of contemporary photography of the human body Nathalie Herschdorfer is a curator and art historian specializing in the history of photography. No longer a tool but a work-in-progress, our bodily expectations bound from fantasy to reality, beauty to tyranny, art to commerce and curiosity to obsession, leaving us dreaming of other bodies and alternate lives. Supporting the broad range of photography is an essay by the psychologist Professor David Sander, Ph.

The first retrospective monograph of one of the most fascinating talents in contemporary photography. Anja Niemi b. She works alone and always in character. With her purposeful and elaborate stagings, Niemi is photographer, director and female lead, inserting herself into the lives of her fictional characters. Extending the genre of self-portraiture, Niemi is at heart a story-teller, a creator of fictions. Her images offer a multilayered, cinematic exploration of identity, gender roles and, crucially, our relationship with ourselves.

Here, portraits of the likes of Paul and Linda McCartney, Madonna, Bono, Debbie Harry, Dennis Hopper and Kate Moss sit alongside photographs that capture the raw energy of catwalks and concerts, the feverish communion of backstage preparations at the Royal Opera House and the private spaces of home and family. Elegant and always at ease, this is the work of an intelligent, soulful photographer with an authentically intuitive eye. This was my first encounter with Tracey. She already had a great affinity with Frida Kahlo, which you can see in her complete connection with the artist and character.

Nick Brandt b. He is the co-founder of the Big Life Foundation, in Kenya, where all of these photographs were shot. Moving into colour photography for the first time, the work is both a technical tour-de-force and a massively ambitious project in which the sets are constructed on a scale typically seen in major film production. Each panoramic image is a combination of two moments in time, almost all of them captured weeks apart from the exact same camera position.

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Brandt first builds and lights a partial set, then waits for the animals that inhabit the region to enter the frame. Once captured on camera, the full set is built with the camera remaining fixed in place. The sets include bridge and highway construction sites, a petrol station, a bus station and even a dead forest. Completing the scene with a huge cast drawn from local communities, Brandt then photographs the second sequence.

The final large scale prints are a composite of the two intricately plotted elements. Viewed as a whole, the images vividly illustrate a world in which, overwhelmed by runaway human development, there is no longer space for animals to survive, and beg the question: what kind of world will we live in when stripped of its natural wonders. An extraordinary monograph by one of the most original image-makers at work today, now expanded and updated to include previously unpublished work. The black-and-white images featured in Asylum of the Birds were created exclusively within the confines of a house in a Johannesburg suburb, the location of which remains a guarded secret.

The resulting images exist in a space between painting, drawing, installation and photography. They are timeless, psychologically powerful and masterfully composed. A monograph on Andrey Tarkovsky, Russian filmmaker, writer, film editor and film theorist of extraordinary influence and cinematic vision.

His final film, The Sacrifice, was produced in Sweden in They achieve a spiritual intensity and transcendent beauty that many consider to be without parallel. This book presents extended sequences of stills from each of the films alongside synopses and cast and crew listings. The book also reproduces many personal Polaroid photographs that confirm the extraordinary poetic vision of a great artist who died aged only 54, but who remains a potent influence on artists and filmmakers today. Andrey A. Hans-Joachim Schlegel is a film historian and the editor and translator of the writings of Sergei Eisenstein and Andrey Tarkovsky.

Lothar Schirmer is a publisher. David Campbell is a writer, professor and producer. Publishing the results of the most recent annual World Press Photo Contest, this exceptional book contains the very best press photographs from the year — pictures submitted by photojournalists, picture agencies, newspapers and magazines throughout the world. Selected from thousands of images, these prizewinning photos capture the most powerful, moving and sometimes disturbing images of the year.

Born in Brooklyn, New York, in , he has travelled all over the world, capturing fleeting details and moments of absurdity. His images suggest glimpses into untold stories, reflecting an idiosyncratic approach to the act and practice of photography. Introduction by Susanne Lange August Sander — was a documentary photographer whose greatest project lasted his entire working life.

His series of portrait studies of the German people spanned three eras — the German Empire, the Weimar Republic and Nazi Germany — and every social class, combining to form a fascinating social mirror of the country over a tumultuous period in its history. Working with calm determination, Sander cast the same lucid eye on bankers and boxers, soldiers and circus performers, creating strikingly honest images that fulfil his sole ambition: to tell the truth about humanity.

Hanns Zischler is an artist and filmmaker. The comet is less than pixels in size but now the first surface structure can be seen in minute brightness variations. The neck between the two lobes appears brighter than the other parts of the nucleus. Comet tells the amazing story of the Rosetta space probe and its voyage to the comet Tchoury. This breathtaking triumph of scientific endeavour resulted in an immense trove of incredible new photographs, the best of which are featured here.

The photographs are accompanied by a text that reflects on the objectives of the mission and the accomplishment of this technological feat. Detailed captions provide accessible scientific information, enabling us to get closer than ever to the heart of the subject, even as it hurtles through space. An expert palaeontologist reveals how our understanding of the dinosaurs has been transformed by huge strides in technology in the 21st century illustrations Further, it allows us to answer the classic dino-geek question: could T.

In her comparison of three meat-eating theropods — the modestly sized Coelophysis from the Late Triassic, Allosaurus from the Late Jurassic, and Tyrannosaurus from the Late Cretaceous — Emily Rayfield showed they all employed different feeding methods. For example, in Tyrannosaurus peak stresses are in the snout, whereas in the other two, peak stresses are located further back, above the eye socket FIG.

This shows that T. The other two theropods were capable of a more powerful bite along a greater stretch of the jaws, and so were perhaps juggling the prey in their mouths and chomping it into bits before swallowing. In a later study of the strange, long-snouted theropod Spinosaurus from the Early Cretaceous of North Africa, Rayfield and colleagues found that it functioned more like the skull of the modern gharial, or gavial a slender-snouted fish-eating crocodile that patrols the River Ganges in northern India , than a crocodile or alligator, with their broad snouts.

The researchers constructed 3D models of the snouts of all these animals FIG. Crocodiles and alligators today employ twist-feeding, in which they sink their jaws into their prey, say a wildebeest snatched from the side of the river, drag it under the water, and then throw their body into great contortions. Gharials feed on fish by snapping their long delicate jaws shut and catching them in a cage of slender teeth. This is what spinosaurs did, and their bony palates acted to prevent their long snout from bending up and down, whereas in crocodiles and alligators the palate acts to strengthen the snout against twisting from side to side.

How Did Dinosaurs Eat? Michael J. Benton is Professor of Vertebrate Palaeontology and head of the Palaeobiology Research Group at the University of Bristol, which was identified by the Center for World University Rankings as the top palaeontology research group in the world. Benton regularly offers media comment on new dinosaur discoveries. The Dinosaurs Rediscovered Michael J. Benton Giant sauropod dinosaur skeletons from Patagonia; dinosaurs with feathers from China; a tiny dinosaur tail in Burmese amber — complete down to every detail of its filament-like feathers, skin, bones and mummified muscles.

Dinosaurs continue to regularly cause a media sensation. Remarkable new fossil finds are the lifeblood of modern palaeobiology, but it is the advances in technologies and methods that have allowed the revolution in the scope and confidence of the field. Over the past twenty years, the study of dinosaurs has become a true scientific discipline. New technologies have revealed secrets locked in the prehistoric bones in ways that nobody predicted — we can now work out the colour of dinosaurs, their bite forces, top speeds and even how they cared for their young.

The Dinosaurs Rediscovered gathers together all the latest palaeontological evidence and takes us behind the scenes on expeditions and in museum laboratories, tracing the transformation of dinosaur study from its roots in antiquated natural history to a highly technical, computational and indisputably scientific field today. Benton explores what we know of the world of the dinosaurs, how dinosaur remains are found and excavated, and how palaeontologists read the details of the lives of dinosaurs from fossils — their colours, their growth, feeding and locomotion, how they grew from egg to adult, how they sensed the world, and even whether we will ever be able to bring them back to life.

Dinosaurs are still very much a part of our world. A primer for the 21st century Innovative and informative, provocative and persuasive, The Big Idea series looks at the fundamental ideas that make such a big impact on our lives and our world today. The unique visual approach and intelligently layered text make complex concepts easy to understand and give you all the tools you need to join the debate.

A lucid analysis of the debate surrounding the escalating costs, both financial and ethical, of medicine in the modern world. Julian Sheather The sophistication of modern medicine is an exceptional feat in which many of us benefit from unprecedented levels of care. Are its astronomical costs furthering global inequality? Where has modern medicine failed us and how does it need to change? This incisive and provocatively illustrated volume interrogates the economics and ethics of modern practices and the impact they have on all our lives.

Surveys the development of Artificial Intelligence over the last sixty years and highlights the likely transformative effects of AI on society over the next few decades. Will AI Replace Us? Shelly Fan The past sixty years have witnessed astonishing growth in the field of artifical intelligence. From social media to Netflix, AI has already infiltrated our daily lives, while driverless cars and humanoid robots are starting to make seismic shifts in the ways we interact with our world.

Are we on the threshold of an AI-dominated reality? How will the ethics of this expanding field be enforced in practice? Will humans be superseded by AI? This astute and disquieting review, replete with astonishing up-to-the-minute imagery — a trademark of the Big Idea series — evaluates whether AI can transform society and humanity for the better or whether its enormous capability will bring about a dystopian AI-controlled future for the planet.

She works as a contributing editor to the online publication Singularity Hub, which seeks to chronicle technological advancement, and she also runs the awardwinning science blog NeuroFantastic. This book contains the prime cuts of his elaborate, satirical photo collages from his Twitter feed, with further exclusive, unseen new work. A pitch-perfect marriage of Internet meme culture and the political lampoon, Cold War Steve satirizes our increasingly incongruous-seeming popular-political culture with quintessentially British humour.

An updated edition of this classic history of Scotland, covering the momentous events of the last five years Fitzroy Maclean held a number of senior posts in the diplomatic service, the armed forces and the government. Magnus Linklater is a Scottish journalist, writer and former newspaper editor.

It is a complex one, too, but the late Fitzroy Maclean and Magnus Linklater disentangle the threads, and enliven their brisk account with both wit and scholarship. In the fifth edition of this classic work, Magnus Linklater brings the story of Scotland right up to date, examining how the Scots identity is faring since the momentous Scottish referendum of , and discussing the fate of the United Kingdom.

A vivid, day-by-day perspective on 2, years of human history through the medium of quotations Peter Furtado is the former editor of History Today. History Day by Day embraces a wide range of voices, moods and registers, from the powerful to the impoverished, the revolutionary to the reactionary, the propagandist to the idealist and the joyful to the grief-stricken.

Both engrossing anthology and informative overview of world history, History Day by Day offers the reader entertainment and instruction in equal measure: it is the ideal gift book for the history buff. A treasure trove of visual delights: a collection of first-hand journals and sketchbooks created on ocean voyages around the world and across the ages Huw Lewis-Jones is a historian of exploration who travels in the Arctic and Antarctica each year as a polar guide.

The sea has been an endless source of fascination, at once both alluring and mysterious, a place of wonder and terror. The Sea Journal contains first-hand records by a great range of travellers of their encounters with strange creatures and new lands, full of dangers and delights, pleasures and perils. In this remarkable gathering of private journals, log books, letters and diaries, we follow the voyages of intrepid sailors, from the frozen polar wastes to South Seas paradise islands, as they set down their immediate impressions of all they saw.

They capture their experiences while at sea, giving us a precious view of the oceans and the creatures that live in them as they were when they were scarcely known and right up to the present day. In a series of biographical portraits, we meet officers and ordinary sailors, cooks and whalers, surgeons and artists, explorers and adventurers. A handful of contemporary mariners provide their thoughts on how keeping a journal remains integral to their voyaging lives. Often still bearing the traces of their nautical past, the intriguing and enchanting sketches and drawings in this book brilliantly capture the spirit of the oceans and the magic of the sea.

Across lives, this book explores the dazzling diversity of human experience during the Renaissance Robert C. Davis is professor of Renaissance history at Ohio State University. For ten years, Beth Lindsmith edited and contributed to magazines at the Ohio State University, where she has also taught classes in composition and creative writing. In this book Robert Davis and Beth Lindsmith highlight dozens of notable lives from between and Through these brief biographies, we are reminded that history is more than dates and abstract concepts: it also arises from the lives of countless individual men and women.

Michael D. Its story is expertly told here by the doyen of Maya studies, Michael Coe, and his late wife, Sophie. The book begins 3, years ago in the Mexican jungles and draws on aspects of archaeology, botany and socio-economics. Used as currency and traded by the Aztecs, chocolate arrived in Europe via the conquistadors, and was soon a favourite drink with aristocrats.

By the 19th century and industrialization, chocolate became a food for the masses — until its revival in our own time as a luxury item. Chocolate has also been giving up some of its secrets to modern neuroscientists, who have been investigating how flavour perception is mediated by the human brain. And, finally, the book closes with two contemporary accounts of how chocolate manufacturers have or have not been dealing with the ethical side of the industry.

Set in the year and based on the original ninja manuals of that era, this witty secret manual equips readers with all the tools needed to become a master of ninjutsu Stephen Turnbull is a lecturer on Japanese Religion at Leeds University and Visiting Professor of Japanese Studies at Akita International University in Japan. Turnbull gave the inaugural lecture for the establishment of the International Centre for Ninja Studies at Mie University, Japan, and acted as historical advisor for the film 47 Ronin.

No other military figure in the world has captured the popular imagination as have the ninja, with a swathe of movies, comic books, theme parks and computer games being dedicated to them. Ninja takes the reader into the world of Japan in , conveying the excitement, danger and subterfuge of the period.

Based on an original ninjutsu training manual, it teaches readers precisely what is required to become a ninja, and of course the craft itself, so that they can master the ninja arts. Illustrated throughout with contemporary artifacts, documents and prints taken from the original manuals, as well as modern reconstructions, this lighthearted but informative guide will captivate readers young and old, and covers every aspect of what it was really like to be a ninja in Japan.

You have been chosen to join the ranks of the legendary ninja who work undercover to defend the land of Japan from its enemies. Famous ninja and their stunning achievements Training in the martial arts bujutsu Invisibility and how to achieve it. Then, Ponson du Terrail did something extraordinary -- after a three years' interval, he went back to the point when Rocambole was prisoner at the hard labor camp of Toulon, and started the story over, thereby erasing Les Chevaliers du Clair de Lune from the continuity of the series, without bothering to pretend it had been a dream or something else -- just as the TV series Dallas did years later.

So Rocambole now known as Convict No. The first part of the book shows Rocambole no longer disfigured escaping from the labor camp of Toulon after ten years of captivity -- so the events now take place in the "present", when the novel was written, c. He decides to become a force for good, and has gathered around him a small cadre of associates who call him "Master": the repented hulkish convict Milon and the fiercely loyal Vanda. Rocambole 's first task is to protect two orphaned girls, first Antoinette , then her sister Madeleine , from the schemes of the evil Karle de Morlux and his partner-in-crime, the Russian she-devil, Countess Wasilika Wasserenoff.

Rocambole 's new secret identity is that of Major Avatar , a respected Russian nobleman. During the course of the adventure, his path again crosses that of Baccarat , a. Then and only then, Baccarat knows that Rocambole has exorcised the ghost of Sir Williams , and whispers in his ear a single word: " Redemption! But then, Blanche de Chamery whom he loved as a sister comes to tell him the Wasilika has kidnaped her son, and Rocambole is once again resurrected. Rocambole saves the child and kills Wasilika , but escapes mortally wounded.

The book ends on a cliffhanger, with Milon saying, " Rocambole is dead! Ponson du Terrail was crowned king of the roman feuilleton. He left La Patrie and gave his next Rocambole novel to La Petite Presse , who had offered him a small fortune for the rights. Rocambole made his much-heralded return in Le Dernier Mot de Rocambole Rocambole's Last Word , another complex saga sprinkled with fantastic elements. Rocambole infiltrates a gang of thieves known as the Wreckers. During the course of a burglary, he comes across Thugee from India via England, who seek to kidnap yourg virgins chosen to serve the goddess Kali.

Rocambole travels to London with Milon , Vanda and several reformed Wreckers including young Marmouset to fight the Thugee. Their target is Gipsy , a girl raised among gipsies whose real identity is Anna Blesingfort , and whose inheritance was stolen by her aunt nicknamed " Milady ", who the mistress of Ali-Remjeh , the Thugee's leader. Rocambole saves Gipsy ; the British government loans him a ship and he captures Ali-Remjeh and Milady. He pardons the woman and delivers the Thugee to the British. He then goes to India, leaving his friends behind.

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In the second part of the story, Marmouset comes across a mysterious woman nicknamed the " Beautiful Gardener " who grows deadly plants in her garden. Several members of a club of idle rich, the so-called " Dead Men ", have broken into her house and discovered the wax statue of one of their members, Maurevers , who was also a friend of Turquoise from The Club Of The Jack Of Hearts above hence of Rocambole and who mysteiously vanished. The "Beautiful Gardener" is Roumia , a gipsy woman , who has kidnaped Maurevers because he killed his bastard half-brother Perdito who was also her lover.

Roumia captures Marmouset and Vanda , when Rocambole returns from India, accompanied by his new friend, Nadir , leader of the good Sons of Shiva , enemies of the evil Kali-worshipping Thugee. Rocambole defeats Roumia , who sees the errors of her ways and frees Maurevers. We learn that, while in India, Rocambole joined forces with Rajah Osmany. But Linton escaped taking with him the Rahjah's young son. He returned to Europe, and Rocambole has been hot on his trail. The story moves back to London. There, Roumia helps Rocambole defeat Linton , but in turn the villain has arranged for Rocambole to be arrested by the British police.

Le Dernier Mot de Rocambole was a huge commercial success, and only confirmed Ponson 's reputation. In it, he states that he had heard only rumors about Rocambole when he wrote T he Mysterious Inheritance therefore that story was mostly made up , then the real Rocambole contacted him and told his his true adventures, then he lost contact with Rocambole again after he was captured and therefore Ponson had entirely made up The Knights of Moonlight , until Rocambole renewed his acquaintance with him after his escape from Toulon.

Since then, he's only written trrue stories, as conveyed to him by Rocambole himself. Ponson ends stating that he just learned that Rocambole escaped from a British jail and that new adventures are on their way. In it, the name of Rocambole is never mentioned; he is merely known as the fearsome " Man in Grey " His allies are Irish priest Samuel , and the beggar Barclay nicknamed " Shocking " because it's his favorite expression.

The stakes are to locate the last heir of a wealthy Irish family, Ralph , who's been raised in the gutters of London in a transparent Dickensian fasion. Rocambole 's enemies are Lord Palmure and his daughter, the beautiful Miss Ellen , who stand to inherit, and their associate, the diabolical Reverend Peters Town.

After many complicated plots, Rocambole finally outwits Miss Ellen , but is recaptured by the police. Rocambole is prisoner in Newgate. One presumes that Nadir is now back in India lhappily married to Roumia. But Lord Palmure and Peters Town a. Patterson have sworn revenge. Their henchman, James Wood , captures Ellen near a construction site hence the title but she is rescued by a young bricklayer dubbed the " Limousin " so named because he comes from the part of France called Limousin. Eventually Wood is defeated, the gang gets back together and travels to London.

Ellen is reconciled with his father, who regrets his evil ways. With Samuel 's help the gang prepares to spring Rocambole , but runs afoul of a similar scheme by the Irish patriots. The story ends with a huge explosion in the tunnels under Newgate. Rocambole 's adventures were abruptly interrupted in the midst of the last saga, La Corde du Pendu [ The Hanged Man's Rope ], by Ponson du Terrail 's sudden death during the German invasion of Everyone has now escaped safe and sound from Newgate.

While in jail, Rocambole met a man, Tom , who was a servant working for the Pembertons and discovered a sinister plot by Evandale Pemberton who stole the fortune and title of the rightful heir, his half-brother, William. Tom killed Evandale , but William is now locked in Bedlam. Rocambole decides to help him but runs afoul of his old enemy, Peters Town Patterson , now working for Sir Archibald , Evandale 's father-in law.

Marmouset springs William out of Bedlam. Rocambole and Shocking capture Patterson. Vanda seduces Sir Archibald and takes him to France But Patterson 's criminal organization is hot on the trail of the heroes Then the story stopped. Reportedly, one of his friends bemoaned before dying, " Ah! If only Rocambole was here to save us! Ponson du Terrail died at age 42 on 20 January , leaving the saga of Rocambole uncompleted.

Its importance in popular fiction cannot be underestimated for it represents the transition from the old-fashioned gothic novel to modern heroic fiction, in the sense that it created and virtually defined all the archetypes of modern super-heroes and super-villains. The fact that the word " rocambolesque " has become common in French to label any kind of fantastic adventure is the best testament Ponson du Terrail could have dreamed of. Many thanks to Vincent Mollet. We have tried to list all the major editions with their variant titles, as follows: i the original newspaper serialization; ii the original hardcover editions by L.

There is also a late s edition by Fayard under different titles but we do not have a list of their titles. Les Ravageurs [ The Wreckers ] -- b. Les Etrangleurs [ The Stranglers ] -- c. Le Fils de Milady [ Milady's Son ] -- d. Le Retour de Rocambole [ Rocambole's Return ] -- h. La Nourrisseuse d'Enfants [ The Nursemaid ] -- b. La Cage aux Oiseaux [ The Birdcage ] -- e. La Petite Presse , Rep. Portal ".