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Condition: Fine. Fascinating illustrated incunable of the first collection of biographies of women. Aegidius van der Heerstraten. Folio, x mm. Occasional marginal soiling, scattered marginal foxing and minor stains, manuscript initial on verso of first 2 leaves showing through on recto, light partial tinting on several woodcuts; washed in 19th century fashion. Bookplate of Mary S. Boccaccio probably composed the work in , it first circulated broadly in manuscript, and the first edition appeared in , printed by Zainer.

Perhaps inspired in Petrarch s Lives of Famous Men, and also as counterpart to his own De casibus virorum illustrium, this work has the merit of being the first time an entire work was devoted to recording famous women in history and again, legend-, with the peculiarity that Boccaccio focused on unholy or pagan women, claiming that Saints are already recorded in other works. It contains the lives of over women from the biblical Eve to the 14th century Queen Giovanna of Naples.

This is the third edition, second illustrated, and the first printed in the Low Countries, the original edition appeared in in Ulm, also illustrated, a second appeared in Strassburg in , however not illustrated. The woodcuts are copied from those illustrating Zainer s first edition attributed to the Boccaccio Master , except one, representing Eve; Arthur Hind, Introduction to the History of Woodcut vol.

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The figures are longer, smaller-headed and more graceful than those of most Augsburg blocks of the same period, and the compositions are more rhythmical in character. The only comparable work written earlier was Plutarch's Mulierum virtutes, which was not published until Seller Inventory ABE More information about this seller Contact this seller 1. Il ne porte que deux lignes de texte : "Des nobles malheureux.

Il manque deux feuillets blancs M10 et EE8. ISTC : ib GW collation fausse. Goff B Fairfax-Murray Bechtel B It is beautifully illustrated by 10 large woodcuts. It is a French translation of "De casibus virorum illustrium" by Laurent de Premierfait. Boccace deals with the fortunes and calamities of famous people starting with the biblical Adam, going to mythological and ancient people, then to people of Boccaccio's own time, with considerations on the premonitory dreams, the inconstancy of the fortune, the dangers of the idleness, etc.

The work was successful, influencing many other famous authors such as Geoffrey Chaucer. Folio a1 is in facsimile, bearing only two lines of text: "Des nobles malheureux. It lacks two blancks leaves M10 et EE8. Only two locations in U. A : Metropolitan Museum of Art.

Very rare. No copy was sold at auctions since 40 years. Seller Inventory More information about this seller Contact this seller 2. Published by Alma Classics From: diceddeals Fontenay sous bois cedex, France. About this Item: Alma Classics, Condition: Used: Very Good. More information about this seller Contact this seller 3. Published by Paris, D. Janot for Gilles Corrozet, February, 24th About this Item: Paris, D.

With - repetitions included text woodcuts one nearly full-page all surrounded by a varying border partly decorated with coats of arms , some "lettres fleuries" initials by G. Tory cf. Mortimer and few "Crible " initials. Woodcut printer's device. A magnificent, signed heraldic binding by the famous Paris bookbinder Gruel from the last quarter of the 19th century in an excellent state of preservation, with polychromatic Moroccan ribbon marquetry, abundant gilding of spine, cover, bottom and inside edges as well as gold-embossed spine title; three-side gilt-edging.

In a later shift broad spine of brown, napped leather with gold-embossed spine title [thumbed, somewhat faded], cover done in marbled paper, suede-lined [the lining slightly stained] and in a half-leather slip case with identical cover slightly thumbed, edges somewhat flattened. First edition of Sevin s translation. Denis Janot organized this edition under his own name and for various Paris bookshops cf. Thus our specimen bears the Corrozet-signet on the title page v. The woodcuts derive from Janot's edition of the first books of "Amadis de Gaula" of cf.

Brun and Mortimer , but partly they were made earlier thus one border is dated "". The borders frequently bear foliage ornaments, and a whole series of them sows grotesque faces and heraldic shields. The lavishly equipped Moroccan leather binding bears in the middle of both covers the coat of arms of Henri IV in an oval cartouche with the French heraldic shield on a blue background and that of Navarre on red together with three crowns: the two small ones representing France and Navarre, and the big one symbolizing the union v.

Guigard, Nouvelle Armorial du Bibliophile. Paris The heraldic shields and the small crowns are enclosed by delicate foliage. Crown as well as tendrils are gold-embossed, the colours of the escutcheons are subtly repeated in the big crown. The coats of arms are surrounded by a network of partly geometrical, partly floral and ornamental polychromatic ribbons in beige, brown, ruby and red end ing at top and bottom in a bigger grotesque, and below four corner vignettes in a smaller one each in beige the bigger, in brown the smaller ones.

The fields between the stripes are gold-em bossed with "Crible" dots. The cover decor is predominantly worked in leather mar quetry. More information about this seller Contact this seller 4. From: Phillip J. Two separately published works bound in one volume. Semper August. Etat Sue XLII," a large escutcheon containing a double-headed eagle above the medallion, a banner with Charles V's motto "Plus Ultra" suspended between two columns below it, binder's small "CvD" escutcheon stamp below the central panel; raised bands, early ink-titled paper label, small paper shelf number of a private library at foot of spine, unobtrusive expert repairs to head of front joint, tail of both joints, and upper corners, lacking ties.

In a slightly worn linen clamshell box. Front free endpaper with 16th century ink ownership inscription of Johannes Hoyel; rear pastedown with inscription of A. Fletcher i. For provenance: Willems "Bibliotheca Fletcheriana," p.


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This is a fortunate combination of two Boccaccio first editions in a wonderful Renaissance binding by a known binder, and with distinguished provenance. The tale follows a dreamer led by a female guide through a castle to the garden where his beloved awaits, plot elements that are clearly reminiscent of Dante, and modern critics now see "Amorosa" as having exerted influence on Petrarch.

The bound-in incunabular text here, the novel "Urbano," was represented originally as a newly discovered work by Boccaccio, but it is now known to be a spurious work variously attributed to Giovanni Buonsignori, Buonaccorsi da Ginestrata, or Cambio de Stefano. Urbano bears a strong resemblance to the emperor's legitimate heir, Speculo, and is tricked by unscrupulous Florentine merchants into marrying the daughter of a sultan who believes him to be the emperor's heir.

After numerous dramatic twists that include the death of Speculo, the plot is resolved when Frederick acknowledges Urbano as his heir. The first dated work by our Bolognese printer Franciscus de Benedictis known by the nickname "Plato" appeared in , and he began printing regularly in , mostly for publisher Benedictus Hectoris. He issued several undated works in Venice, but continued printing in Bologna until six months before his death in August of BMC notes that he was known as a "Printer of mark" and was respected by his patrons as "a man of probity as well as of some cultivation.

Goldschmidt notes that he was "appointed 'Stadsboekbinder' for the town of Antwerp" after the death of Willem Vorsterman in , and that "the account books in the Antwerp achives after that date are bound by him. Our binding was probably executed around the time van Doersmaele became the state bo.

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Seller Inventory ST More information about this seller Contact this seller 5. Published by Florence, Heirs of Filippo Giunta, Collation: A-I8. Roman and italic type. Blank spaces for capitals, with printed guide letters. Fine contemporary Venetian red morocco over pasteboards. Covers within blind fillets and a gilt acorn and leaf roll. At the centre of both covers two gilt strapwork-pattern tools, the gilt letters ". Two pairs of holes for ties at the fore-edge. Spine with three small raised bands, with title inked in an early hand.

Gilt and gauffered edges. Corners lightly rubbed, minor wear to extremities of spine, joints lightly restored. A fine copy, first leaf lightly soiled and spotted, some marginal foxing, a few spots and minor stains. A few maniculae in a contemporary hand. Small nineteenth-century paper label pasted to front pastedown, with shelfmark "N. Some pencilled bibliographical notes on pastedowns. Provenance: Francesco Riccardi de Vernaccia b. The Labirinto d'amore was written in the mids; it is also known as Corbaccio, an alternative title introduced in the Florentine editio princeps of , although the word "corbaccio' never actually occurs in the work.

It certainly derives from the Italian "corvo', i. This copy is housed in a fine contemporary binding in red morocco of the highest quality, suggesting that it was executed for a wealthy patron, the identity of whom remains hidden despite the gilt lettering on itscovers, ". The binding was in all likelihood produced in a Venetian workshop, owing to the lettering employed in these inscriptions as well as the use of the knot-tool, a fairly common tool design used by various Venetian binders; this tool even came to act as a sort of signature of the most inventive and talented craftsman, the Mendoza Binder, so-named because of his main client, the Spanish ambassador Diego Hurtado de Mendoza, who was active there between ca.

The fine border framing the covers is formed with small mirror leaves and acorn tools, decorative motifs likewise used in various Venetian binder's workshops in the first decades of the Cinquecento. Adams B; M. Nuvoloni, "Commissioni dogali. Venetian Bookbindings in the British Library", D.

Pearson ed. More information about this seller Contact this seller 6. Published by London by John Wayland [n. From: Buddenbrooks, Inc. Newburyport, MA, U. About this Item: London by John Wayland [n. Titlepage and leaf Gg4 bound after title with architectural woodcut borders McKerrow 76a and with woodcuts on leaf A4 illustrating events in the Garden of Eden, woodcut initials throughout. Folio [ x mm], in very fine and handsome nineteenth-century red hard-grain morocco by F.

Hathaway of Boston, the boards elaborately framed in extensive gilt, the upper board with central gilt crest of John W. De Kay, the spine beautifully lettered and decorated with central tools in gilt in compartments between gilt ruled raised bands, elaborate gilt tooled board edges and turn-ins, all edges gilt, marbled endpapers.

De Kay's armorial bookplates on front pastedown and verso of front free endpaper. A very handsome and well preserved copy of this rare printing. The binding very handsome indeed, with only the most minimal wear to extremities, joints expertly and near-invisibly restored. The title-page and Gg3 laid down and reattached, the title with small ink notations at top, not affecting text or woodcut border. Other minor paper repairs to several leaves, in a few cases affecting a few letters of text, evidence of old damp throughout last half of book which is fairly inoffensive.

This is only the third or fourth printing in English of Boccaccio's De Casibus Virorurn ILlustrium, following Pynson's earlier printings of and , Richard Tottell reissued the work in and it has not been clearly determined whether Tottell's edition or Wayland's was completed first. This especially handsome copy retains the final leaf Gg4, which is usually lacking according to STC. It is bound after the titlepage and comprises the rare title for A Memorial of Such Princes, as since the Tyme of King Richard the Seconds, Have Been Unfortunate in the Realme of England SIC , and was apparently intended for a work to be issued along with De Casibus which was suppressed for religious and political reasons during Mary's reign.

John Lydgate's translation of Boccaccio's moralistic tales of the misfortunes of famous people was made from the French version by Laurence de Premierfait. The Latin original text was first printed circa De casibus is an encyclopedia of historical biographies dealing with the calamities of famous people starting with the biblical Adam, going to mythological and ancient people, then to people of Boccaccio's own time in the fourteenth century. The work was so successful it spawned what has been referred to as the 'De casibus tradition', it influenced many other famous authors, such as Geoffrey Chaucer.

This copy with the provenance of John Wesley De Kay, self-made millionaire, American entrepreneur, playwright, author, and eccentric socialite. Born in Iowa to Dutch immigrants in , De Kay apprenticed as a printer and eventually owned several newspapers and a sizable cattle ranch. In , De Kay moved to Mexico and with the money he had made in his businesses purchased a concession for operating meatpacking plants.

A published author and known socialite, his first produced play, "Judas", managed to get itself banned in New York, Boston and Philadelphia. More information about this seller Contact this seller 7. Published by London but chez Pierre Prault Paris Red morocco by F.

Bedford ca. The work is a great achievement of Gravelot, Boucher, Cochin and Eisen, the best illustrators of the French 18th century. The edition not only shows more than plates, but also includes rich decorative engraved head- and tail-pieces in the best tradition of book illustration of its time.

The Italian text was translated into French by A. Le Macon.

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The present copy has 21 erotic plates plus the frontispiece, instead of the 20 usually listed in bibliographies. Almost all of the plates in the first two volumes and some in the third bear an ink stamp on the back proving that they belong to the much sought-after first issue, printed for the Italian edition.

Cohen-de Ricci not mentioning the portrait plate ; Gay-Lemonnyer I, with the portrait ; Ray ; not in Nordmann. More information about this seller Contact this seller 8. Printed on blue paper. Collation: a8, A-S8 fol. F4 signed G4. Woodcut printer's device on the title-page.

Woodcut decorated seven-line initials and headpieces. Fine Parisian red morocco over pasteboards, signed by Hippolyte Duru, and executed in Covers within double blind fillet. Spine with five small raised-bands, emphasized by blind fillets; title lettered in gold. Marbled pastedowns and flyleaves; edges-boards decorated with gilt fillet, inside dentelles.

Gilt edges. A good copy; restored upper margin of leaves, some letters of the running titles reconstructed at the time of the binding. Lucca, Vinc. Busdraghi, , in 8. Exemplaire en papier bleu de cette ouvrage curieux". Sold for 40 francs. Very rare edition of Boccaccio's Teseida, presented here in a copy exceptionally printed on blue paper, and in a fine binding executed for Guglielmo Libri by the renowned Parisian binder Hippolyte Duru. Boccaccio composed the Teseida in order to demonstrate that a classical epic could be written in a vernacular language.

The text was produced in three redactions, the first beginning in the early s, and the second and third in the late and early s. On the model of Vergilius' Aeneis, the poem is divided into twelve books, and consists of 1, octaves.


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The Teseida combines elements from the classical epics and the contemporary tradition of love literature, and was first printed in Ferrara in , edited on the basis of a contaminated text assembled by the Ferrarese Pietro Andrea de' Bassi. Boccaccio's work had notable popularity in the English literature of the Middle Ages, and served as the primary sources for Geoffrey Chaucer's Knight's Tale, included in his Canterbury Tales.

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STC Italian ; D. Anderson, Before the Knight's Tale. Coleman, "The Knight's Tale", R. Correale, M. Sources and Analogues of the Canterbury Tales, Cambridge , 2, pp. Daniels, Boccaccio and the Book, London , p. Coleman, "Teseida delle nozze d'Emilia", T. De Robertis, C. Monti et al. More information about this seller Contact this seller 9. Published by Al verso del f. About this Item: Al verso del f. Condition: molto buono.

Precede il testo dedica del Dofino "Alle gentil et valorose donne"; in fine Errata e Tavola dell'opera. Ottimo esemplare, a grandi margini nota di possesso ms. Giorgio Barichia Romano'', ex libris al verso bianco del primo f. Borromeo p.

Zambrini Mostre Certaldo n. Olschki n. More information about this seller Contact this seller A Treatise excellent and compendious, shewing and declaring in manner of Tragedye, the falles of sondry most notable Princes and Princesses vvith other Nobles. First compyled in Latin by the excellent Clerke Bocaticus, an Italian borne. And nowe newly imprynted, corrected, and augmented out of diuerse and sundry Olde writen copies in parchment.

In aedibus Richard, [September 10 ]. Folio, 28 x 19 cm. Ref: S. Interesting early inscription to upper title page with partial loss of owner Theo Coke. From Sion College Library with the library stamp on the verso of the title. The last six leaves of the Dance of the Macabre appears only in this edition, and is often lacking. The blocks for the woodcuts are from Pynson's second edition of and are copies of those used in Pynson's edition. Ottimo esemplare, a grandi margini, di illustre provenienza: nota di possesso ms. Christopher Hutton; nota sulla sguardia anteriore: "a copy of this edition of the Decamerone sold at Col.

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Edizione preziosa. Published by Isaac Jaggard, London About this Item: Isaac Jaggard, London, First complete English edition second edition of the first volume, first edition of the second volume. II border of six woodcuts, repeated throughout text. The first complete edition in English of Boccaccio's Decameron, the second edition of volume I, the first edition of volume II. The translator is unknown, though John Florio has been suggested.

The Stationer's Register records a translation by John Wolfe, but no copies survive. Boccaccio's masterpiece was influential on the authors of Elizabethan England - at least fifty-four English plays, including several works by Shakespeare, have plots derived from the Decameron. The two volumes were first issued in , both under the title The Decameron. When the first volume was reprinted in , "No complementary edition of the second volume was published.

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Possibly because, when the present was called for, Jaggard was still able to supply copies of the first edition" Pforzheimer. Three years after printing the first edition, Jaggard went on to print the First Folio of Shakespeare Free endpapers rehinged, vol. I title expertly restored at margins, with a few small portions of woodcut border in facsimile, a few other leaves with small paper repairs, some light toning and occasional soiling throughout.

In a custom brown morocco-backed slipcase Vol. Published by Folio, 41cm, pp. About this Item: Folio, 41cm, pp. Condition: Very Good. Set in Subiaco type and printed on Batchelor paper with the Bugle water-mark of the same size and quality as used for the folio Dante. One of copies printed on paper plus 6 on vellum. With the exception of the 'Tavola' the book is printed in double column. The headings of each 'Gionata' are printed in blue capitals, those of each Novella in red.

They were specially designed for this book by Graily Hewitt. A beautiful long-tailed 'Q' begins the 'Introduzione'. Bound in in blue boards, linen back, printed spine label. Published by Dall'Oglio, Milano Seller Rating:. About this Item: Dall'Oglio, Milano, Seller Inventory More information about this seller Contact this seller 1. Ritratto del Colleoni a cavallo in rilievo al piatto anteriore. Bortolo Belotti Size: 28cmx20cm. More information about this seller Contact this seller 2. Published by Ceschina About this Item: Ceschina, Condition: buono.

Milano : Ceschina, Prima edizione. Qualche occasionale difetto all'orlo per taglio di fogli chiusi piccole mancanze, strappetti ; all'Indice del vol. III, un punto di abrasione da incollatura a p. Tuttavia, nel complesso, esemplare pulito e in ordine. Buona copia.