Ashgate was delighted to attend the recent Society for Ethnomusicology meeting in Indianapolis November, , where there was a lot of interest in the titles from our SOAS Musicology series on display. Music is cherished by every society in the world. Music is, like language, a universal means of individual and cultural expression. It is also infinitely varied. Music in any society has intrinsic value in its own right, and can tell us much about the culture in which it developed.
The core of the SOAS Musicology series comprises studies of different musics, analysed in the contexts of the societies of which they are part, and exploring repertories, performance practice, musical instruments, and the roles and impacts of individual composers and performers. The SOAS Musicology Series includes studies that integrate music with dance, theatre and the visual arts, and contextualized studies of music within the Western art canon.
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The series reflects a broad musicology, as much as the discipline of ethnomusicology. The editors recognize the value of interdisciplinary and collaborative research. Performing arts in most parts of Maritime Southeast Asia are seen as an entity, where music and dance, sound and movement, acoustic and tactile elements intermingle and complement each other. Although this fact is widely known and referenced, most scholarly works in the performing arts so far have….
By Francesca R. Sborgi Lawson. Why has the female voice—as the resonant incarnation of the female body—inspired both fascination and ambivalence? Why were women restricted from performing on the Chinese public stage? How have female roles and voices been appropriated by men throughout much of the history of Chinese theatre? By Matthew Machin-Autenrieth. Flamenco, Regionalism and Musical Heritage in Southern Spain explores the relationship between regional identity politics and flamenco in Andalusia, the southernmost autonomous community of Spain.
In recent years, the Andalusian Government has embarked on an ambitious project aimed at developing…. By Owen Wright. The Safavid era — is one of the most important in the history of Persian culture, celebrated especially for its architecture and art, including miniature paintings that frequently represent singers and instrumentalists. Their presence reflects a sophisticated tradition of music making…. Edited by Barley Norton , Naomi Matsumoto. As economic, technological and cultural change gathers pace across the world, issues of music heritage and sustainability have become ever more pressing.
Discourse on intangible cultural heritage has developed in complex ways in recent years, and musical practices have been transformed by…. By Bob Van Der Linden. Arnold Bake — was a Dutch pioneer in South Asian ethnomusicology, whose research impressed not only the most renowned Indologists of his time but also the leading figures in the emerging field of ethnomusicology.
This long overdue biography sheds light on his knowledge of the theory and…. By Tony Lewis. The garamut is a log idiophone that is found in many of the coastal and island areas of Papua New Guinea. In Baluan Island, within the Manus….
Serie: SOAS Studies in Music Series
Edited by Reinhard Strohm. The idea of a global history of music may be traced back to the Enlightenment, and today, the question of a conceptual framework for a history of music that pays due attention to global relationships in music is often raised. But how might a historical interpretation of those relationships proceed?
By Laudan Nooshin. Yet the predominant discourses on which musicological thought in this area are based have rarely been challenged. In this…. By Frances Wilkins.
SOAS Studies in Music Series
Following three years of ethnomusicological fieldwork on the sacred singing traditions of evangelical Christians in North-East Scotland and Northern Isles coastal communities, Frances Wilkins documents and analyses current singing practices in this book by placing them historically and…. Edited by Razia Sultanova , Megan Rancier. The Turkic soundscape is both geographically huge and culturally diverse twenty-eight countries, republics and districts extending from Eastern Europe through the Caucasus and throughout Central Asia.
Although the Turkic peoples of the world can trace their linguistic and genetic ancestries to….
Serie: SOAS Studies in Music Series » Bokklubben
By Graham Harvey. Edited by Karen Ralls-MacLeod. Celebrating the diversity of indigenous nations, cultures and religions, the essays which comprise this volume discuss the musics performed by a wide variety of peoples as an integral part of their cultural traditions.
These include examinations of the various styles of Maori, Inuit and Australian…. Edited by Rachel Harris , Martin Stokes. This volume of original essays is dedicated to Owen Wright in recognition of his formative contribution to the study of music in the Islamic Middle East. By Margaret E. Kathak, the classical dance of North India, combines virtuosic footwork and dazzling spins with subtle pantomime and soft gestures.
As a global practice and one of India's cultural markers, kathak dance is often presented as heir to an ancient Hindu devotional tradition in which men called Kathakas…. By Donna A. By Stephen Jones. This second volume of Stephen Jones' work on ritual and musical life in north China, again with an accompanying DVD, gives an impression of music-making in daily life in the poor mountainous region of Shaanbei, northwest China. It conveys some of the diverse musical activities there around ,….
The rich local traditions of musical life in rural China are still little known. Music-making in village society is largely ceremonial, and shawm bands account for a significant part of such music. This is the first major ethnographic study of Chinese shawm bands in their ceremonial and social…. By Andrew Alter. In the Central Himalayan region of Garhwal, the gods devtas enjoy dancing. Musicians - whether ritual specialists or musical specialists - are therefore an indispensable part of most entertainment and religious events.
In shamanistic ceremonies, their incantations, songs and drumming 'make' the…. By Shzr Ee Tan. Taiwan aboriginal song has received extensive media coverage since the launch and settlement of a copyright lawsuit following pop group Enigma's allegedly unauthorized use of Amis voices in the Olympics hit, Return To Innocence.
Taking as her starting point the ripple effects of this case,…. Edited by Suzel Ana Reily. The musical human: without a doubt, this vision of the human species as naturally musical has become the most enduring legacy John Blacking bequeathed to ethnomusicology. The image aptly embodies his preoccupations, which integrated theoretical and methodological issues within the discipline with a….
Edition 1st Edition.
- Abigail Wood | University of Haifa - dequsyjeme.ml?
- Negotiating Shadows.
- Namibia - Jagen im gemischten Doppel: Erinnerungen Teil 1 (German Edition).
- SOAS Studies in Music Series;
- Celebrating Barbecue: The Ultimate Guide to Americas 4 Regional Styles of Cue.
- The Generals President.
- Lesson Plans My Journey to Lhasa?
First Published Imprint Routledge. Pages pages. Subjects Area Studies, Arts, Humanities.