Nuovo Topi ad Ur 4. Avvio 6. Assenza 7. ExMod2 8.
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Truly great. Therefore, every small reverberaton, every minimal alteration in tuning, every tonal movement in the doubling of space around the lyrical song of the instruments, sounds as if emerging from the background and becomes the real motor of an improvisational quest, not shy of using a score. The music brought by the trio is of an extraordinary stylish aesthetic, mixing classical music, sometimes even with a medieval pre-baroque touch, modern music, jazz and electronics. The music progresses slowly, solemnly, with trumpet and bassoon acting in unison, counterpoint, echo, with the electronics repeating the sounds at times, distorting them, or just providing a textural background, dramatic effects or ambient sounds.
The music also shifts between composition and improvisation, between crystal clear tones and more diffused tonal explorations. These contrasts, including the sharp difference between the high-toned trumpet and the dark sounds of the bassoon, make for a wonderful tension and musical depth of perspective, a chiaroscuro of sound. Unlike the Tiner-Phillips-Schoenbeck Trio, the sounds here are less intimate, more emotionally distant, more dramatic, but also more magnificent in their slow forward movement, creating a feeling of immense space and beauty.
- Luce ed ombra?
- "Luci e Ombre" Photograph by Angelo Orsi - CharityStars!
- Human Autonomy in Cross-Cultural Context: Perspectives on the Psychology of Agency, Freedom, and Well-Being: 1 (Cross-Cultural Advancements in Positive Psychology).
- Deterrence: Its Past and Future—Papers Presented at Hoover Institution, November 2010 (Hoover Institution Press Publication).
Many have tried this approach before, and fell into the trap of syrupy sentimentalism, but this trio manages to have a consistently coherent unique musical vision, rich in ideas and tonal explorations, austere and disciplined in its delivery. CD version incl. MP3 version Electroacousticsilence , or EA Silence for short, is a trio with an unusual line-up: Luca Cartolari plays live electronics and electric bass track 5 , Mirio Cosottini plays trumpet and flugelhorn, and Alessio Pisani plays bassoon and contra-bassoon.
If a curriculum still means something, this trio features Alessio Pisani bassoon, contra-bassoon and Mirio Cosottini trumpet, flugelhorn, slide trumpet coming from EAQuartett, EaSilence etc.
Not exactly but it may give an hint. Thanks in advance for your help. Could this be a "shadowless light of achievement"? Very literary, mind you The person speaking is religious, and I have the impression that this "shadowless light" he is speaking about is heaven. Our hope lies in reaching a light without sin. Merciful said:. Here is the original I don't know if " berthing " is a good translation for "approdo". And this way, and only this way, death is defeated forever with the return of the soul to the very source of all being and light. Our speech has a sense of the consensus of desire and our hope a resting place in the light without shadow.
No darkness in the Light at all: see the Gospel of John and letters. Will today's man finally think about such an imminent presence of joy in the midst of the overwhelming evil of death? Obviously I ranged quite far from the wording of the Italian in order to keep the sense of the Italian in English. Other suggestions? Last edited: Mar 9, I thank all of you for your replies. You are responsible for your own communications, including the upload, transmission and posting of information, and are responsible for the consequences of their posting on or through the Site.
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- Luce e Ombra!
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- Luce ed ombra!
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scarpe fatte di luci e ombre.
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Josè D’Apice, “di ombra e di luce”
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